Showing posts with label Indonesian Culture. Show all posts
Showing posts with label Indonesian Culture. Show all posts

March 25, 2010

Area dances Jambi Indonesia

Posted by Yudi Kurniawan (a-One) 23:11, under , | No comments

Dances Jambi Indonesia area enough variety and coraknya, where in each region is characterized in accordance with local circumstances and public interest groups is concerned. A few of the many shades and variety dance Jambi region, but already many were almost unknown and even forgotten by society concerned. In this book will be presented several types of dances which are well known in their respective regions, namely:
Kota Jambi

Sarah's Dance Fund.
This dance originated PELAYANGAN, which has been modified from across the city of Jambi. Creator unknown and rearranged by Abdul Aziz in 1984, this dance is used as a means of spreading Islam, the dancers danced by boys and girls.

Dance Paddle Serangkuh.
This dance maker is unknown but has been rearranged by the Aini Rozak in 1990. This dance illustrates the direction of feelings approval, Togetherness in all things, and the dancers danced only by putrid.

Foreword dance.
This dance was created by Firdaus Chatab in 1962, and then reorganizing OK Hundrik BBA in 1967. This dance used to welcome the honored guests As with our expression of liver and white in welcoming guests, and danced by young dancers putrid.


District Batanghari and Muaro Jambi

Sarah's Dance Fund.
This dance originated from the village Rengas Leaning, Creator unknown. Darwan reorganizing Asri in 1994 and this dance Islamic bernafaskan daughter danced by dancers.

Dance Plate Jambi.
This dance comes from Muara TEMBESI created by Abdul Manan, then rearranged by Hendri OK in 1970. The dance portrays a young couple agility in playing dishes and the dancers danced by boys and girls.

Dance Baselang
This choreographer is not known, then arranged by Darwan ualng Asri in 1997. This dance tells about the spirit of mutual kegotong villagers and dancers danced by boys and girls.

District of West Tanjung Jabung Jabung & Eastern Cape District.

Dance henna.
Creator is not known, and reorganizing M. Arsyad and Zainuddin in 1992. This entertaining dance of the bride who was putting henna night, before sitting dipelaminan, and dance is danced by young men and women.

Dance Sumbun
This choreographer is not known, kemudain reorganized in 1989 by Rukiah Effendi. This dance illustrates the fishermen who are looking for with sumbun ditepian lively beach, he put the drug into sumbun. This dance is danced only by women dancers.

Japin Dance Rantau
This dance was created by Darwan Asri and reorganized in 1986 by Asri Darwan. This dance illustrates the prikehidupan coastal area, and danced by young girls.


District & County Bungo Tebo.

Princess Bay Flower Dance
This choreographer is not known, and this dance describes the intimacy of community life, and the dancers danced by women.

Dance Grandchildren Ungko
This choreographer is not known, and this dance describes the community effort in capturing animals digemarinya. This dance dancers danced by boys and girls.

Tauh dance.
This choreographer is not known, this dance describes a young couple joy, and danced by dancers sons and daughters.

District and County Bangko Sarolangun

Dance Kisan
Creator unknown and reorganizing Daswar Edi in 1980 and 1983 Darwan Asri. This dance describes manage community activities in rice into gold, and dances performed by dancers are young girls.

Dance Kromong
This choreographer is not known, and this dance tells how a woman dress smartly, and performed by dancer daughter.

Dance Set Berentak
This choreographer is not known, and then arranged money by Zacharias in 1970. This dance describes mutual kegotong in working the fields and performed by dancer daughter.


Kerinci Regency

Bathroom Dance Park
Unknown choreographer, and reorganized by Baharuddin BY 1979. The dance portrays a sense of gratitude when carrying children turu bath, hosted by dancer daughter.

Rangguk dance.
Creator is not known, arranged by Iskandar Zakaria ualang year 1977. This dance describes to welcome the guests who came to visit and performed by dancer daughter.

Sift Rangguk dance.
The creator of this dance is not known, and then rearranged by Don Alwizar. This dance describes the joy after harvest and danced by the dancer daughter.

March 9, 2010

Ethnic origin of children in Or The Citadel

Posted by Yudi Kurniawan (a-One) 01:34, under , | 1 comment

Based on the various versions about the origin of the Citadel.

The first version says that they came from West Sumatra. It is said, they are people who do not want to be colonized by the Dutch. For that, they went into the woods and wandered until he was in the area of Jambi.

The second version says that they are soldiers who are lost. It is said that at the time of Jambi kingdom ruled by the Princess Pinang Masak harmony, the kingdom was attacked by a man who mastered the Black Kayo Edge Jabung (Strait idolatry). The attack was made Jambi overwhelmed. For that, the Queen of Jambi which is actually a descendant of Minangkabau kingdom beg for help to King Pagarruyung. And, the king allowed the application by sending troops to Jambi by road (through the jungle). One time when he arrived at Hill Twelve they run out of stock, but was far from Pagarruyung and still far from Jambi. Then, they were the result of discussion and agreement to remain in place, with a consideration if the return to shame as well Pagarruyung also not impossible will be punished by the king. In the meantime, if you go on to Jambi in addition provisions are still far too no longer exists. Then, they vowed to stay in place with any provisions would violate his life miserable and accursed. The oath is as follows:

"Go forth Minangkabau Rajo doomed, doomed downstream Rajo Jambi, did not sprout up in the middle of eating beetles, not deep down, ditimpo wood punggur" (Return to King Minangkabau Minangkabau condemned, condemned downstream King of Jambi, the above not sprout, in the midst of eating, beetles, are not rooted to the bottom, decayed wood overwritten).

Pagaruyung soldiers who brought his wife and the Mount Twelve tersest was later lowered the Citadel. Election of the hill is very reasonable because there are many large rocks which can be utilized both as a fortress. In addition, there asa source of water and small rivers that provide various types of fish that are needed in their survival.

The third version says that people are descendants Bujang faction and Princess Fruit Perantau Gelumpang. It is said that in ancient times there was a male nomads called Bujang Perantau. When the nomads came to Mount Twelve, one night he dreamed. In the dream he was told to take gelumpang fruit, then the fruit was wrapped in white cloth. If it is then a miracle will occur. Once awake, he immediately did. Gelumpang fruit wrapped in white cloth was transformed into a very beautiful princess (Princess Fruit Gelumpang). After the big wedding of the daughter invites. However, Perantau Bujang said that no one would marry. At this the Princess suggested that Perantau Bujang bayur felling trees and peeled so slippery and the river dilintangkan. Bujang Perantau pursue sent from one end of the trunk. Meanwhile, Princess Fruit Gelum-stage climb from the other end. If in the middle of the bridge they met and clashed on the forehead, then it means that the Shah became husband and wife. And, it turns out they can do it well. Therefore, they Shah became husband and wife. Their marriage produced 4 children, namely Malangi Bujang, Bujang Dewo, Princess Ivory, and Princess Pinang Masak Selaro. The first child is called the base of the beneficiary and the last child is called the end of the inheritance.
Once there, Bujang Malapangi and Princess Pinang Masak out Selaro woods and founded the village. And, this means following his father's footsteps as a bright person. Meanwhile, Bujang Dewo and Princess d'Ivoire remained in the forest followed her mother as a person Rimbo. Farewell two groups led to civil strife, but each continued to recognize as kin. For that, necessary to distinguish between the berkampung with a stay in the woods with persumpahan. Oath Malapangi Bujang Bujang addressed to Dewo are as follows:
"Which is not to greet the heir hamlet self command, see the heir bilo RIMBO dilancungkan with it like a pig, lizard, tapir, and python; pertuanan keno Bolting curse, swear all Jambi keno ....". Meaning of this oath is that people Rimbo are people who do not want to think big brother (the base of the beneficiary), if the older brother served with him in the bush pigs, benuk, monitor lizards, and snakes (all of these animals, the light is forbidden to eat it); going to get yelled at all people of Jambi.

Oath Bujang Bujang Dewo Malapangi addressed to the person who had the Light:
"The crocodile was captured water, on land captured panther, wood itimpo d-punggur, to the cursed knife Kawi, keno masrum down kalimah God, the wine kabangiyang, ditimpo striped sky, did not sprout up, not down roots, ... . and those who berkampung is: "berpadang nut, berpadang kelapo, dislamkan, meeting in dilur Rencong, planting bersuruk reasonable minds, fleshy two, bergantang two, bercupak two". The meaning of the oath is that people are berkampung wretched man who stands for those who hurt everywhere, into the water to eat crocodiles, tigers eat ashore, seized timber punggur, condemned by the sacred weapons, exposed kalimah curse of God, is always followed by a demon, falling sky in the afternoon, no boss and no subordinates; as for the sign are: plant nut, coconut, dislamkan; well outside of the foul, not virtuous and outsmart people, guided by two / do not have a position.

However, there is a consensus that the Bujang Malapangi and his descendants still considered the base of beneficiaries and domiciled in the country, while still living in the forest can continue to maintain ancestral customs (Bujang Perantau with Princess Fruit Gelumpang).

Told that the fourth version, it is said in the past coast of Sumatra island often visited by the pirates. They usually come with his wife and son. One time a boy known to have sex with his sister. In fact, the relationship of such an act is prohibited by them. Therefore, two different beings that gender be sanctioned segregation, the abandoned or left to live alone in the woods. In fact, not only that they are not allowed to show themselves to others. That's where they eventually breed and establish a settlement in Ulu KEPAYANG area, near the hamlet Penamping located on the riverbank Lalan (now included in the area of South Sumatra Province). That said, this is their first settlements.

Seems to know also that many of the faction that moved to Cape Semiring; exactly Lalan river, downstream Dusun Karang Agung. In the area there is a man named Chief of the district. The man was later appointed as head of the tribe. Therefore, the head of The Citadel referred to as Chief of the district. They are located in this area is supported by a wide soles, because they are the physical characteristics with a wide leg shape, especially the male. From Tumenggung from Blidah, Hamlet CAMBAI with his wife named Polot from clan betung Banyuasin area, hamlet roar, they have 6 (six) sons who each person has the qualities and skills possessed by community faction, namely: 

1) sejaring good at catching fish or catching fish,
2) semincan or semancam is the nature or the nature pengancam brave,
3) semobah or perobah is a good trait berpindah-pindah/pemindah,
4) sebauk is characteristic of people who respected people usually bearded or double chins,
5) is the nature senanding traders,
6) is the nature semubung support or cooperation or intermediary.

The names mentioned above are also imposed by the Chief of the district itself, with the hope of a Tumenggung will have, or have the character and skills keenak earlier. The most prominent trait for a Temengung is pleased wander, to move the place with his wife and children. Like their migration to the bay Sendawar Lalan river, between the slick and Muara Bayung Bahar. In this place they do not last too long, they moved again to the area Rambahan river estuary upstream Bahar. In this area they settled long agal, until they breed. After that The Chief and his wife scara suddenly disappear and never come back again, according to the tribal community's trust and Children In Tomonggong wife had not died. Having been left out Tomonggong and his wife, all their descendants, or your meeting-Bahar syawarah in Muara. They wanted to separate themselves, each wants to find a place to live on their own, because that's the name Estuary Bahar also known as Lebaran estuary of the place where they began to split up, split up. But there are also communities faction who remained in KEPAYANG pit, did not participate in the movement, but settle around the hamlet penamping (the area around the estuary Bahar).

They very rarely tell the origin, descent or lineage, or they, because they know and feel that they are descended from the result of incest (incest). Besides considered impolite is also a stigma or stain for themselves. To name one of their parents feel anxious, because they are afraid of getting disaster, bringing evil influence. Especially mention their forerunners who commit adultery. Therefore they prefer to say that the embryo they came from the Chief of the district and Polot. The Chief of the descendants of some of Nyarang went to a small stream next to the downstream hamlet daffodils. Some stopped going to the river upstream Bahar, others settled along the river and founded settlements Bayat A Coconut. A village called Coconut camp there because people have planted coconut tree as a decoration. However, the coconut that has been generated from the tree, no one dared to pick and eat them, because they say something that is planted or maintained if eaten will make them sick. Once upon a time there was an outsider who came to their village and asked why the coconut is not used or consumed, the faction said that coconuts can get people drunk and not good. Outsiders were told that the sweet coconut water and meat is good, people are taking an oil and peeled and drank water and ate his flesh. After seeing that it does not result in anything, then people had a new faction believed that the coconut milk and coconut daing proved beneficial to humans. After kedatngan people out there, they move again, and establish new settlements located between the regions and Laman Lubuk Petai Malang, they named the village by the name Coconut Many, because they started planting the area with palm trees. Thus the displacement until the Citadel until the Jambi area today.

The fifth version says that the public interest or faction Child Within is the people of the kingdom of Srivijaya. At the time of Sriwijaya declining empire attacks Cola (India), Sriwijaya people who do not submit under a foreign power had fled into the woods, so they became known as the Citadel as the present moment.

Based on the Literature of Ras or Mongolid Paleo-old Malays are the origins of the Malays are most common in Indonesia, which by Von Eickstedt digolongan or lompokan packed again in terms Deustero Proto-Malays and Malays. One element of the rest of the races that can be found in Indonesia is called by the name Weddid or Weddoid. The name comes from a nation that lived in Wedda Sri rare, with physical characteristics such as wavy hair tense or stiff, and slightly arched eyebrows jutted forward. In Indonesia, the type was mainly found in the southwestern peninsula of Sulawesi (Toala area, Tomuna, and tokea), in South Sumatra and Jambi, the Kubu tribe, all groups were included in Proto-Malays have physical characteristics such as body height rather than with the first group, slender, round face, thick lips, broad nose and flat, dark lank hair, and facial expressions similar to Mongols as prominent cheekbones and narrow eyes. The first group considered that first came to the archipelago, and then pushed or pressed by the second class to the interior. Proto-Malays were regarded as a more pure group, while the Deutero-Malays have undergone a more pure group, while the Deutero-Malays have undergone a variety of influences or mixed with the nationalities of the coast. This means

that the person included in the Kubu Paleo-Mongoloid.
Source:

March 5, 2010

Jambi Affairs Pantun

Posted by Yudi Kurniawan (a-One) 00:54, under , | 2 comments

Maybe we agree that we call Jambi Pantun Affairs. Why? Surely this is reasonable, because it is rich in Jambi-pantunnya Pantun. Naturally the images attached to Jambi.
You can look at the lyrics of the song Jambi which generally contain many rhymes, or you can also hear the young children in Jambi are always using the rhyme as a medium to seduce her partner, even in parts of Jambi is a tradition called unrequited rhyme tradition.
Here I try to present to you a few rhymes used by people of Jambi:

Batanghari aeknyo calm
Although still rushing to the edge
Children should not be remembered Jambi
Kalo is remembered liver damage

We ba hillside umo
Milled rice stem topple
We umpamo the sparrow
Halau Kemano people fly in

Live fire Bake Argusianus
Argusianus tepanggang the brothers feet
Mean nak won the hearts of the island
The Nago dijago Island magic

Owl bottom edge Napal
Place of laundry slaves
Bear crew ships simultaneously nak
Idakkan may nyo samo rate

Bederai rain in RIMBO
Tibo in rice bederai do
Kito in MUKO Becerai
But at heart becerai not

That's all I can rhyme present, there are many other rhyme-rhyme that is often used by the community of Jambi in traditional events, youth events and other events. I imagine, if only one day in Jambi there is a gate / welcome monument that reads "WELCOME TO THE STATE PANTUN" Probably a good time huh?

March 2, 2010

Jambi Traditional Clothing | Jambi Tourism

Posted by Yudi Kurniawan (a-One) 00:01, under , | No comments

Sultanate Traditional Clothing
Jambi Malays is the name for the Malays who inhabit the areas along the river Batang Hari, Jambi province. In the women dressed daily at first known only by a cloth and a sleeveless shirt. While the men wore a broad-half segments of the calf and usually black, so that more flexibility in the motion seharihari activities. Clothing for men is equipped with a cap as a head cover. Later known as the traditional clothes. This traditional clothes more expensive than everyday clothes are decorated with gold thread embroidery and the use of jewelry as a complement.


Traditional Men's Clothing
Men Sultanate interest in wearing traditional dress in kepalanya.Lacak track is made of: red velvet cloth that was given heavy paper in order to make it hard dalammnya. This cap has two parts soaring, with higher julangan on the front. As there ornamental painting the flora of leaves, stems clan that will bloom flowers. Part of the right edge of the painting was given runci rope, which is balanced by the placement BUNGO runci on the left. Bungo is white runci strung together with string, can be either original or imitation flowers. Her dress is called baju kurung with long sleeves responsibility. Called responsibility because length is only slightly below the elbow is not up to the wrist. This implies a skillful clan must be agile in doing things the job. The material is made of red velvet embroidered yarn emas.Bagian given center was sprinkled with flower motifs or tagapo flowers and jasmine flowers, was motivated edges flower buds sequential or bamboo shoots. Closing the bottom called cangge (pants). The material is still of the velvet rope equipped with a belt. It is the custom in the area of Jambi songket wearing a sarong wrapped around the hips. Close the chest called the lotus chest, because the shape of lotus flowers placed around the neck like a collar so. Second hand shoulder flash bracelet decorated with metallic dragon berlukiskan yellow dye. This dragon painting has meaning if someone has given the power not to be disturbed. Also subject to a cross body sling made from red songket purplefish a spouse sarong with floral relay sequential clan. Waist decorated with a thin scarf of pink at the end of tassel-ends given yellow tassel. To strengthen the waist is used pending a chain with a belt as a head made of metal. Another completeness kris clan slippers. Usually inserted in the abdomen to the right menyerong symbolize the greatness and as a precaution. While slippers or footwear shoe shaped half serves to protect the foot when berjaalan.

Indigenous Women's Clothing
Clothing for women consists of songket sarong clan songket red scarf. Her dress is called baju kurung with gold thread embroidered bear motif decorated with jasmine flowers, flower tagapo, bamboo shoots and shoots. Headdress called pesangkon made of red velvet fabric with the inside of cardboard to be hard. There is also a mention of pandanus thorns because on the front of this cap ornate metal-shaped yellow pandanus thorns. To further embellish with gold embroidery was given floral jasmine burst. Completeness of female dress more than that worn by men. In the women wear earrings or rice pestle with a butterfly motif or bracelet banjar. Necklace consists of three types, namely footprint necklace, necklace or bracelet jayo storey and nine chain. In fingers attached full leech ring and ring deer or dragonflies. The number of bands who used any more bands include shoulder flash each arm two. Was added to the canoe bracelet, bangles and bracelets flat load books. All of the pairs in the arm. Especially for bracelet book comes from the material burdens of white diamonds. As for the foot wear bangles and bracelets betapo Nago circular snakes. So called because of its shape that resembles the mythical dragon clan sleeping snake curled into spheres. While the elements of other properties such as the lotus chest (closed chest), pending and belt (belt), scarves, and slippers almost the same as that worn man. The difference of a larger pattern in the chest and pending lotus.

Source: lukeria.ngeblogs.com

March 1, 2010

custom house origins jambi | jambi custom house

Posted by Yudi Kurniawan (a-One) 16:10, under , | No comments

Inner man is one of the existing tribes in the province of Jambi. Until now people still maintain the Inner traditions handed down by their ancestors, even older heritage buildings could still enjoy its beauty and is still used today.
The legend comes from the Inner 60 tumbi (families) who moved from Koto Rayo. To 60 families which is the origin of the Inner Clan V, with 5 villages of origin. So the V's Inner Marga means a collection of 5 hamlets that came from the same village one. The fifth village is Semayo Cape estuary, alternately Hamlet, Hamlet Kapok, Aro Island Village, and Hamlet Clear estuary. Margo Inner Region V is now in the subdistrict of the Veil, with its capital in Rantau Panjang, Bangko Sorolangun District.
At first people lived Inner group, consisting of 5 groups that form the origin of the village 5. One ghetto mind that is still intact until today is in Kampung Rantau Panjang Lamo. The houses there built lengthwise separately, is approximately 2 m, facing the street. Behind the house was built a place to store rice barns.
In general, the Inner livelihood is farming, both in the fields or in fields. In addition, they also gardening, looking for forest products, gold, and look for fish in rivers.
House form
Inner residential people called Kajang Lako or House Lamo. Lamo ridge forms such as a boat house with upper end of the ridge upward. LAMO house typology shaped hall, rectangular with a length of 12 m and width of 9 m. Rectangular form is intended to facilitate the preparation of a room adapted to its function, and is also influenced by Islamic law.
As a residential building, LAMO house consists of several parts, the ridge / roof, rafter form, wall, door / window, pillars, floors, tebar screen, penteh, pelamban and stairs.
Ridge / roof is often called the 'elephant drunk,' taken from a home-maker who was then being drunk in love but do not get permission from their parents. Form ridges called folding awning, or cut jerambah. The roof is made from mengkuang or woven fibers and then folded in half. From the side, roof LAMO triangular look. Such roof forms are intended to facilitate the decrease of water when it rains, facilitate circulation of air, and storing goods.
The form is a rafter in the roof above the upper end. Rafter in front of and behind the house, crooked shape, serves to prevent entry of water when it rains. Made along Kasou form and 60 cm wide ridge.
Walls / LAMO masinding house made of boards, while the door consists of 3 kinds. The third door is the door upright, masinding door, and cross back door. The door stood at the end of the left side of the building, serves as the entrance. Low-up doors are made so that every person who came into the house should bow their heads as a mark of respect to the owner's house.Masinding door serves as a window, located in the living room. This door can be used to look down, as the ventilation, especially at ceremonies took place, and to facilitate those who are under to find out whether the ceremonies had already begun or not. The door behind the cross there is a window on the pole behind the cross. The door was used by traditional leaders, scholars, ninik mamak, and scholars.
The number of mast LAMO house is composed of 30 primary and 24 pole 6 pole palamban.Mast installed in the form of six, with each length of 4.25 m. The mast serves as the bottom pole (stick) and as a pillar framework.
Floor Lamo rusticity house in Rantau Panjang, Jambi, made bartingkat. The first stage is called the main floor, which is located in the floor behind the cross. In traditional ceremonies, the room can not be occupied by anyone as devoted to traditional leaders. The main floor is made of woven bamboo side with rattan. Hereinafter referred to as the floor level of ordinary. Used in the floor behind menalam, common room, living room gaho, and pelamban.
Tebar screen, serves as a wall and cover the top. Tempias to hold rain water, in the edge to the left and right parts of the building. The material used is a board.
Penteh, is a place to store is located at the top of the building.
The next section is pelamban house, which is part of the leading houses located on the edge of the left. Pelamban an additional building / like terrace. According to local custom, pelamban used as waiting rooms for guests that have not been invited to enter.
As the stage space, houses the mind has 2 kinds of steps. The first is the main staircase, the stairs are on the right pelamban. The second is penteh ladder, used to ride to penteh.
Composition and Function Room
Kajang Lako consists of 8 rooms, including pelamban, gaho space, masinding room, living room, behind the transverse space, space behind the menalam, upstairs / penteh, and basement / Bauman.
Called pelamban is part of the building located on the left side the main building. The floor is made of split bamboo that has been preserved and installed rather rare to facilitate water flow down.
Gaho space is the space located at the left end of the building with lengthwise direction. In the room there is space gaho kitchen, living room and the room where the water receptacle.
Masinding space is the space associated with the front masinding. In a traditional meeting, this room used to sit on ordinary people. This space exclusively for men.
Living room is a room that was in the middle of the building. Between the middle of the room not wearing masinding wall. At the time of the implementation of traditional ceremonies, the hall was occupied by the women.
Another room in the house is a space behind the Inner menalam or space within. The parts of this space is the dining room, sleeping room parents, and the girl child's bedroom.
Next is a room behind MALINTANG. This space on the right end of the building facing into the living room and masinding space. This floor is made higher than the other room, because it is considered as the main room. This room is not occupied by any person. The amount of space behind the cross is 2x9 m, equal to gaho space.
LAMO house also has an upstairs room called penteh. This room is located on the building, used for storing goods. In addition to the above, there is also a cellar or Bauman. This room is not no walls and floors, used for storing, cooking at a party, and other activities.
Kinds of Decoration
Residential buildings of the Inner decorated with several motifs of decoration in the form of carvings. Motif decoration there is a flora (plants) and fauna (animals).
Flora motifs used in decoration, among others, is the motive BUNGO promontory, mangosteen calyx motives, and motives BUNGO oranges.
Harbor BUNGO motif carved on the front masinding. Motif mangosteen calyx masinding also in front and above the door, was outside the orange BUNGO rasuk (belandar) and on the door.Decorations made with colorful flora motifs.
The third motive of decoration was intended to beautify the building form and as an illustration that there are a lot of vegetation.
The fauna motifs used in decoration, is a fish motif. Decoration in the form of fish already in the form of distilir leaves equipped with the form of fish scales. Fish motif made colorless and inscribed on the sill and through the transverse gaho.
B. Rumah TuoIdentity House Tuo
Jambi had been in the troubled period of identity quest. In fact, the governor would have to hold a contest to see what kind custom homes to be the country's identity "A Nine Lurah Jambi" is.
Jambi somewhat unique compared to other regions in the archipelago. If many other local customs house began to disappear as time progresses, the Jambi just enjoy the euphoria of the building houses traditional architecture.
Actually, the excitement is already starting in the 1970s, when the Provincial Government of Jambi establish the concept of home architecture that characterizes Jambi. Form a clear picture of the custom homes we can find the time come to the governor's office complex in Telanaipura Jambi, Jambi City.
Just at the right side of our office building will find traditional house pole, black, complete with horns of goats crossed into the end of the roof. Buildings with this architecture is the result of a contest won by an architect, who is also the local authorities.
In search of a Compass on the oldest settlements in Jambi recently, data showed that this is where the real identity of ancestral lands of Jambi through open houses. This settlement is located in Dusun Kampung Baru, Kelurahan Rantau Panjang, District Veil, Merangin District, Jambi.
There are still 60 of the customs house about 600 years old there. The oldest settlement was surrounded by hundreds of a kind custom home, but the age of these houses are much younger. Very impressive, how local communities are still highly appreciate indigenous heritage of their ancestors.
Houses Jambi Malays identical to ancient customs. In the house depicted on the human relationships in a nuclear family, extended family, and society. There is respect for nini mamak, guarantee protection for children, live in a wealthy family, and social harmony in society. Here, the ethic of life is also very appreciated.
The oldest house there called the House of Omar Tuo Amra (67), the descendants of the 13th of Undup Pinang Masak. He was one of the Malays noble ancient exodus from the village Kuto Rayo, Veil. The house is still solid pole while columns and wooden frame Kulim, a very tough meat, it has been 600 years old.
According to the owner, this house had been built on results and mutual cooperation agreement of all members of a large family. "There are 19 families an escape from the Rayo Kuto together build this house. After a single house, they together build another house. And so on until the final 19 homes built," he explained.
Agreement ancestors set 20 pole dipancang to establish a home. The roof was originally from sago palm leaves, but now has changed zinc. Under the house became storage firewood for cooking and the cattle.
Tuo house looks from the front widened, with three large windows which always opened its owner until the afternoon. Once cermatnya their ancestors, to the extent that ethics is governed by the arrangement window.
Ethics visiting governed by customary law. Bertandang guests will enter the house through the stairs on the right. For guests who are still flunky, call boys who were not married to visit, just to sit until the limit of the far right window. That is, he just may sit closest to the entrance and should not be more into the back.
While that can sit a little deeper, at least until the second window limit, the flunky of a large family, aka have family ties with the owner of the house. That can enter into the house until it is the men who had been married and women.
Booth across the side in the far left is a special area for the village elders or the guest of honor.Chamber length of about four meters. At the consultation events citizens, those who sit in a booth across will be able to see the entire room, or guests will enter the house through a staircase.
One room
Jambi traditional house has only one room as a bedroom. This meant there together, including at rest, also in a single room. However, most people there prefer to sleep together in the living room because it's wider.
Tuo house was built not only as a place to live, but also as a guarantee of the survival of the family and descendants. There rice barns in the back of the house. One family can have two to three barns that store tons of grain crops, and hold for decades. During that time local people never lack of food.
Some traditional tools are still found there. There bounce made of woven rattan, used for transporting crops, always carried on behind his back. Food share with the gaze, which is also the rice basket of the basket. While the equipment of the timber is the mortar, and container used lighting they called Aladdin's lamp.
According to Rio Kasim, local adat, the houses built by the ancient Malays eksodan residents who previously occupied other villages in the same district. Aim to find a safe place.
This settlement later grew. However, in the development, preservation of the public while maintaining the traditional house. Citizens who want to build a new house also refers to the local indigenous architecture. Only wood that is no longer used because the wood Kulim has increasingly rare.
Although not much different impression from the architecture of traditional Minang houses, typical of traditional houses can be found in Jambi on the corner of the roof mounted horn sheep, which is facing a wooden cross inside. This sign indicates that the house has a ninny mamak as protector.
Amra Umar revealed, there was no desire from him to change the form of the house, except to replace a tin roof, just practical reasons. "If the thatched roof must be replaced on every two or three years. Seng more durable," he said.
He confessed proudly to the house he owned. The house is still occupied by steady with his wife and his children are now often become a place of study among students, researchers, or local officials who want to know more about custom home Jambi.
Every time the old house into the neighborhood, we seemed to return to the past. Keklasikan houses lined each other, complete with a way of life and traditions of its people, it gives the customary picture of perfection will Jambi. This is where we get the identity of Jambi.
Source:- Fuad-rumahadatjambi-fuad.blogspot.com (article)

February 21, 2010

Sejarah Kerajaan Melayu | Propinsi Jambi

Posted by Yudi Kurniawan (a-One) 04:04, under , | 4 comments

Di Pulau Sumatera, Propinsi Jambi merupakan bekas wilayah Kesultanan Islam Melayu Jambi (1500-1901). Kesultanan ini memang tidak berhubungan secara langsung dengan 2 kerajaan Hindu-Budha pra-Islam. Sekitar  Abad 6 – awal 7 M berdiri KERAJAAN MALAYU (Melayu Tua) terletak di Muara Tembesi (kini masuk wilayah Batanghari, Jambi). Catatan Dinasti  Tang mengatakan bahwa awak Abad 7 M. dan lagi pada abad 9 M Jambi mengirim duta/utusan ke Empayar China ( Wang Gungwu 1958;74). Kerajaan ini bersaing dengan SRI WIJAYA untuk menjadi pusat perdagangan. Letak Malayu yang lebih dekat ke jalur pelayaran Selat Melaka menjadikan Sri Wijaya merasa terdesak sehingga perlu menyerang Malayu sehingga akhirnya tunduk kepada Sri Wijaya. Muaro jambi, sebuah kompleks percandian di hilir Jambi mungkin dulu bekas pusat belajar agama Budha sebagaimana catatan pendeta Cina I-Tsing yang berlayar dari India pada tahun 671. Ia belajar di Sriwijaya selama 4 tahun dan kembali pada tahun 689 bersama empat pendeta lain untuk menulis dua buku tentang ziarah Budha. Saat itulah ia tulis bahwa Kerajaan Malayu kini telah menjadi bahagian Sri Wijaya.

Abad ke 11 M setelah Sri Wijaya mulai pudar, ibunegeri dipindahkan ke Jambi ( Wolters 1970:2 ). Inilah KERAJAAN MALAYU (Melayu Muda) atau DHARMASRAYA berdiri di Muara Jambi. Sebagai sebuah bandar yang besar, Jambi juga menghasilkan berbagai rempah-rempahan dan kayu-kayuan. Sebaliknya dari pedagang Arab, mereka membeli kapas, kain dan pedang. Dari Cina, sutera dan benang emas, sebagai bahan baku kain tenun songket ( Hirt & Rockhill 1964 ; 60-2 ). Tahun 1278 Ekspedisi Pamalayu dari Singasari di Jawa Timur menguasai kerajaan ini dan membawa serta putri dari Raja Malayu untuk dinikahkan dengan Raja Singasari. Hasil perkawinan ini adalah seorang pangeran bernama Adityawarman, yang setelah cukup umur dinobatkan sebagai Raja Malayu.  Pusat kerajaan inilah yang kemudian dipindahkan oleh Adityawarman ke Pagaruyung dan menjadi raja pertama sekitar tahun 1347. Di Abad 15, Islam mulai menyebar ke Nusantara. 
(http://sriandalas.multiply.com)

February 20, 2010

Bangga Jadi Anak Jambi

Posted by Yudi Kurniawan (a-One) 19:32, under , | No comments

Salam kenal semuanya…cuma menyampaikan sedikit seklumit tentang Kota Jambi…soalnya saya sendiri berasal dari Propinsi Jambi. Kota yang aman dan tentram. buat teman – teman yang berasal dari kota jambi yang ada di luar propinsi jambi, maupun di propinsi jambi sendiri berbanggalah menjadi anak jambi, walaupun jambi masih digolongkan kota kecil tapi mempunyai potensi maju yang cukup pesat,,, di mana jambi mempunyai potensi obyek wisata yang menarik yang patut kita banggakan,,

Bagi yang yang belum pernah berkunjung ke jambi,
hati – hati kalau berkunjung ke jambi, sebab ada mitos jambi yang mengatakan "Kalau Sudah Meminum Aek Sungai Batanghari Sungai yang terpanjang di Pulau Sumatera", susah untuk meninggalkan kota jambi untuk pulang lagi ke kota kamu. Bagi anak jambi asli, mungkin mitos dengan kata – kata tersebut, sudah tidak asing lagi terdengar ditelinganya

Benar atau tidaknya saya sendiri juga tidak tau, mungkin kita bisa menemukan sedikit jawaban dari sebuah pantun lawas asli dari jambi :

Batanghari aeknyo tenang
Sungguhpun tenang deras ke tepi
Anak Jambi jangan dikenang
Kalo dikenang merusak hati

Bait terakhir dari pantun tersebut adalah jawabannya, mungkin saja memang anak Jambi susah untuk dilupakan atau untuk terlupakan. Sehingga orang yang sudah terlanjur kenal dan akrab dengan anak Jambi, susah untuk melupakan dan meninggalkan Jambi.. Semoga saja itu benar, kalo memang benar berarti kita patut berbangga sebagai orang Jambi karena orang Jambi termasuk tipe orang yang bersahabat, ramah dan toleran..

Bagi teman – teman saya sepropinsi jambi yang ada di propinsi lain, teruslah berkarya untuk Jambi kedepan yang lebih baik…

(http://www.dogancengkir.info)

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